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270 | Jenny Han (The Summer I Turned Pretty): Writing Love, Longing & Coming of Age
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269 | Writing Horror with the Carved Creative Team (REBROADCAST)
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268 | Where to Begin as a Screenwriter (REBROADCAST)
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267 | The Elevator Pitch + Austin Film Festival Prep Workshop (REBROADCAST)
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266 | Emmy-Winner Jeff Hiller (Somebody Somewhere) on the Myth of the “Big Break”
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265 | KPop Demon Hunters Directors: Maggie Kang & Chris Appelhans on Balancing Heart, Humor & Music
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264 | Akiva Goldsman (A Beautiful Mind, I Am Legend, Star Trek): Turning Writing Into a Job (and a Life)
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263 (REBROADCAST) | Feature Film Story Engine Checklist: 8 Elements To Turn A Situation Into A Movie
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Indie Film Craft 5 | How a Microbudget Feature Premiered at SXSW Without Stars (ft. GG Hawkins)
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262 | Writing (and Directing) Intimate, Personal Films That Feel Cinematic (ft. Sorry, Baby's Eva Victor)
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Indie Film Craft 4 | How to Make Your Script Undeniable to an Indie Producer (ft. Julie Waters)
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261 | Clarity, Subtext, and Want vs. Need: Kaz Firpo on Crafting Great Screenplays
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260 | From Barf Draft to Next Draft: 5 Steps to Take Now
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259 | Costume As Character: What (& What Not) To Include in Your Screenplay (ft. Courtney Hoffman)
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258 | From Assistant to Executive Producer: Frida Perez on Co-Creating The Studio
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257 | Getting Repped in a Post-Strike Industry - Part 2 (ft. Daniela Gonzalez & Garrett Greer)
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256 | Getting Repped in a Post-Strike Industry - Part 1 (ft. Daniela Gonzalez & Garrett Greer)
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Indie Film Craft 3 | How to Get Life Rights As an Indie Filmmaker (and Make the Biopic Indie Audiences Actually Want) ft. The Bragg Brothers
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255 | From Finalist to Staffed: How Austin Film Festival Helped Us Break In (ft. Sylvia Batey Alcalá & Mac Smullen)
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254 | "I'm Stuck": What to Do When the Writing Just Isn't Working
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253 | Producing a Hit Studio Movie: What Writers Should Know ft. Sheila Hanahan Taylor (Final Destination: Bloodlines)
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252 | Creating a Complex Protagonist with a Simple Goal ft. Kim Rosenstock (Dying for Sex)
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251 | Writing with Your Partner (in Life & Work): Joe Forte on Collaboration, Mentorship, and Creative Retreats
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250 | Jac Schaeffer (WandaVision, Agatha All Along): Having a “Take” When Pitching on IP — or Anything
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249 | Screenwriting & Social Media: How Being Online Can Help Your Career
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Indie Film Craft 2 | Trey Edward Shults on Working With The Weeknd, The Role Of The Camera & Vulnerable Storytelling
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248 | Working Writers Ask Us Questions: An Industry Mailbag
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247 | Directing Fundamentals That Make You a Better Writer (ft. Rob Spera)
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246 | Do I Need to Self-Produce to Sell My Writing? (ft. Emily Brundige)
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245 | How To Pivot Genres and "Re-Brand" Yourself As A Writer (ft. Carla Banks-Waddles)
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244 | Brent Forrester's (The Office, The Simpsons) Comedy Writing Masterclass
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243 | If You've Ever Wanted To Quit Writing, Listen To This.
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Indie Film Craft 1 | Tyler Nilson and Michael Schwartz (The Peanut Butter Falcon, Los Frikis) Discuss Authentic Collaboration
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ANNOUNCEMENT: New Bonus Spinoff Show For Filmmakers Drops In Feed THURSDAY!
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242 | Welcome To Wrexham Showrunner John Henion Discusses Theme As A Central Creative Throughline
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241 | Bob's Burgers Executive Producers & The Great North Creators Discuss Adult Animation
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240 | George Saunders' Storytelling Masterclass
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239 | Wicked Co-Writer Dana Fox on Why You're Avoiding Your Writing
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238 | How To Create and Maintain a Screenwriting Career Outside of LA or NY (ft. Will Fetters and Chris Sparling)
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237 | Malcolm Washington & Virgil Williams (The Piano Lesson) On Adapting August Wilson's Pulitzer-Winning Masterpiece
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236 | Liz Feldman (Dead To Me, No Good Deed): Writing is Self-Destruction, Self-Reflection, and Self-Correction
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235 | Mike Jones (Soul, Dream Productions) Returns: What Makes a Great Act 3?
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234 | Why Fairy Tales Are The Foundation For Modern Storytelling (ft. Kelly Younger)
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233 | TV Development: Everything You Need To Know (ft. Glen Mazzara)
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232 | A Writers' Assistant Deep Dive (Part 2)
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231 | A Writers' Assistant Deep Dive (Part 1)
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230 | Sing Sing Writer Clint Bentley: Creating Character Arcs Based On Real Lives
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229 | The Screenwriting Life: Joy, Pain, & Legacy (TSL 2024 Supercut, Pt. 2)
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228 | The Screenwriting Life: Joy, Pain, & Legacy (TSL 2024 Supercut, Pt. 1)
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227 | Oscar-Nominated Writer Susannah Grant (Erin Brockovich, Unbelievable): "Understand The Difference Between Truth and Facts"
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226 | Challengers/Queer Writer Justin Kuritzkes: Asking The Right Questions While Writing
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225 | Sharon Horgan (Bad Sisters/Catastrophe) On Revealing Character
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224 | LIVE From Austin Film Festival 2024: Story Workshop
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223 | Character Psychology Masterclass w/ Dr. Dan Siegel
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222 | The Perfect Couple Showrunner on How To Craft a Murder Mystery (ft. Jenna Lamia)
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221 | Strategies To Focus Better While Writing (And Other Mailbag Questions)
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220 | Writing Horror with the Carved Creative Team
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219 | Practical Ways To Treat an Inactive Protagonist
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218 | Lessons In Chemistry, The Office, and Jury Duty: Lee Eisenberg's Multi-Genre Screenwriting Career
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217 | How To Get A Manager (ft. Roadmap Writers' Joey Tuccio)
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216 | Only Murders In The Building Showrunner John Hoffman: "Write What Delights You"
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215 | Patton Oswalt On Embracing Risk as a Writer and Performer
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214 | How TV Writers, Directors, and Actors Work Together (ft. Jon Huertas)
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213 | Using Festivals and Contests to Advance Your Career ft. Alex Convery (AIR) and Tate Hanyok (Sex APPeal)
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212 | Outlander Writer/Producer Barbara Stepansky: How Winning The Nicholl Fellowship Changed Her Career
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211 | Sundance Favorite GHOSTLIGHT's Kelly O'Sullivan: Indie Filmmaking Beyond LA/NY
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210 | Monk Creator Andy Breckman: How To Find Luck In Hollywood
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209 | Hacks Creators Paul W. Downs and Jen Statsky: Writing and Selling A Mixed-Tone Comedy
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208 | Writing Animated Children's TV: A Crash Course w/ Lorien
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207 | Being (And Writing) Women Over Forty: A Candid Conversation (ft. Nitza Wilon & Elizabeth Kaiden)
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206 | Everything You Need To Know About The Writer's Guild Foundation Library (AKA, a FREE Treasure Trove)
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205 | ANNOUNCEMENT: Last Day For A LIFETIME Discount on TSL Workshops
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204 | The Hero's Journey ft. Christopher Vogler
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203 | BONUS: TSL Workshops Exclusive Preview Episode
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202 | Turning The Tables: Meg and Lorien Interviewed By Screenwriting Teacher/Author Andrew Zinnes
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201 | Mail Bag + Thoughts About the Dreaded Act 2b
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200 | Discovering & Embracing Your Strengths As A Writer (ft. Showrunner Joey Slamon)
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ANNOUNCEMENT: Episode Drops TOMORROW.
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199 | The New Look Creator/Showrunner on Finding Empathy for our Characters (ft. Todd A Kessler)
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198 | Girls5Eva Creator Meredith Scardino On How To Become INDISPENSABLE In A Writer's Room
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197 | Inside Out 2 Director Kelsey Mann and Writer Meg LeFauve on How To Approach A Sequel
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196 | Inside Out 2 Writers Meg LeFauve and Dave Holstein
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195 | Dustin Lance Black: Writing (And Adapting) Compelling Protagonists
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194 | Romantic Comedy Writing Masterclass w/ Billy Mernit
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193 | Ten Common Traps That Will Kill Your Script (Pt. 2)
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192 | Ten Common Traps That Will Kill Your Script (Pt. 1)
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191 | Writing Visually On The Page (And Connecting To Your Theme) ft. Linda Seger
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190 | Getting Candid About The Business of Hollywood (ft. Navid McIlhargey)
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189 | Create Your Hollywood Game Plan w/ Carole Kirschner
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188 | Playwriting (and some BTS Behind the Making of Coco) ft. Octavio Solis
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187 | Writing For Multi-Cam Sitcoms (w/ Lopez vs Lopez Showrunner Debby Wolfe)
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186 | A Crash Course For Showrunners (And Their Staff Writers) ft. Jeff Melvoin
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185 | Why Tone and Genre ≠ Plot (ft. Cole Haddon)
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184 | What Does A Hollywood Studio Reader Do? (TSL Listener Spotlight)
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183 | How The Animated Film Industry Is Changing (And Why That Matters Creatively): WAR IS OVER Chat, Part 2
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182 | What Goes Into Creating an Oscar-nominated Animated Short?: WAR IS OVER Chat, Part 1
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181 | Nimona Co-Writer Lloyd Taylor On The World Of Animated Feature Films
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180 | Award Winning "Wingspan" Game Designer Compares Writing To Game Design (ft. Elizabeth Hargrave)
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179 | Feature Film Story Engine Checklist: 8 Elements To Turn A Situation Into A Movie
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178 | The Holdovers Writer David Hemingson On Finding Humanity In Our Characters
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